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Episode 106: Update on getting dual citizenship in Germany – What works and what doesn’t Common Ground Berlin
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Episode 93: Celebrating 100 years of radio in Germany – Part II: Anna Winger, Rik de Lisle and Lulu Garcia-Navarro. Common Ground Berlin
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Episode 74: The royal “Putsch” that wasn’t – Is Germany in danger? Common Ground Berlin
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Episode 60: Common Ground Berlin Stammtisch, Vol. 2: A Scintillating Look at the News. Common Ground
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Episode 55: The Angst about Denglisch Common Ground
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Episode 52: The Digital Markets and Digital Services Acts: What do they mean for Big Tech and you? Common Ground
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Episode 46: The Young and Restless – A new generation of German MPs take charge Common Ground
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Episode 44: Street Names Common Ground
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Episode 41: A new German Chancellor and French EU presidency -- Are the changes a recipe for more gridlock in 2022? Common Ground
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Episode 40: Common Ground’s First Stammtisch: A Scintillating Look at the News Common Ground
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Episode 108: Berlin Blues - Navigating mental health care in the German capital and beyond. Common Ground Berlin
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Episode 107: Out of Work - What to do about rising unemployment in Berlin and Germany Common Ground Berlin
‘The opera machine is not looking for disruption’: Opera Lab Berlin on breaking down traditional musical theater works Dina Elsayed
Opera Lab Berlin’s upcoming premiere of “ODYSSEY: Dead Men Die” promises a “an apocalyptic journey” encompassing Homer, James Joyce and Hollywood.
We caught up with artistic director Evan Gardner to find out more about the free-form ensemble, which has produced or collaborated on over 20 productions in the past six years, as well as what to expect from their new show.
“ODYSSEY: Dead Men Die” by Opera Lab Berlin premieres on Thursday, Jan. 30, with additional performances on Jan. 31 and Feb. 2, 3 and 4.
These true, personal stories were recorded live at The Bear on December 14 at ZENTRUM danziger50 in Prenzlauer Berg. The theme of the evening was solstice: stories about the longest night of your life.
Common Ground Berlin is a podcast and funded solely through grants and listener support. It belongs to the non-profit organization Common Ground Berlin e.V.